In “Farmer Refuted” Ham and Seabury go from simply trying to block their audience’s view of each other’s hands to actively slapping each other’s hands down mid-sentence
King George doesn’t deign to sign. He has the ensemble sign for him and gets pissed at how with each reprise there seem to be fewer and fewer ensemble members there to translate.
everybody’s name signs corresponding with their musical leitmotifs
everyone breaking apart to sign their own parts in “Non-Stop” in a beautiful visual explosion like I am dying just thinking about this
AGGRESSIVE CABINET BATTLE SIGNING
“The Room Where It Happens” being all about being shut out of conversations and decisions, there’s some new subtext to “hold your nose and close your eyes” because you can’t sign while holding your nose and you can’t watch others sign while closing your eyes
Phillip not being able to complete the “sept huit neuf” with Eliza because his hands are going limp as he dies and Eliza actually screaming
Burr’s signing in “Your Obedient Servant” getting more and more angry along with his writing, the syntax of which also changes until “Weehawken. Dawn. Guns. Drawn.” matches up exactly with Burr signing the words–he’s sick and tired of translating every thought into perfect English, he’s tired of signing less and smiling more, he is 100% done with this shit
during Ham’s final “I imagine death so much it feels more like a memory,” it’s not just the music that drops out, it’s the English translation. that’s right, y’all, HAMILTON’S FINAL MONOLOGUE IS ONLY IN ASL
at the end of it, he sets down his pistol prop and makes the ASL sign for “gun” AND RAISES THAT SIGN INTO THE AIR
WHEN ALEXANDER AIMS AT THE SKY, BURR IS STILL HOLDING HIS PISTOL, SO HE CAN’T SIGN HIS “WAIT”–HE HAS TO SCREAM IT WHILE THE ENSEMBLE SIGNS FOR HIM
for all the emphasis put on “who tells your story” and “being a part of/erasing myself from/putting myself back in the narrative,” there isn’t much explicit mention of speech and I think that’s beautiful
I have way too many feelings about this fictional production okay
angelica is not a stone-hearted cold put down generator with no feelings, she is in fact the exact opposite, her “i want” song is all about how strongly she feels- for hamilton, for eliza, for everything
eliza is not a gentle, all forgiving, pure and always sweet person with the maturity of a five year old, she in fact sets fire to hamilton’s shit when angry and conducts herself with a full spectrum of emotions, not to mention incredible dignity
maria isn’t a conniving smug don’t-have-any-fucks-to-give seducer, she’s a young woman in a shitty situation who doesn’t want to be left with her awful husband and is shown to be intensely vulnerable
let’s all characterize the hamilton women 10000% more fairly 2k16
Hamilton grinding in celebration after he has earned Eliza’s hand in marriage.
angelica’s face says “okay maybe i dodged a bullet with this one”
so as a break from/reward for studying I read a bit of the Hamiltome but it was about high schoolers seeing Hamilton and owning American history and connecting with the show so I’m crying now it’s fine I’m fine
Hamilton: (yeah)
Hamilton: (yeah)
Hamilton: (droppin everything today)
Hamilton: (making it rain)
Hamilton: (precipitatin straight up mayhem)
Hamilton: (HELLS of weather patterns closing in)
Hamilton: (inanimate shit be slippin from my mitts)
Hamilton: (my digits cant commit to a legitimate grip)
Hamilton: (wait)
Hamilton: (nah ima start over)
Hamilton: (feel this flow out a lil more)
Hamilton: (about how im droppin things today)
Hamilton: (just left and right)
Hamilton: (things of all shapes sizes and dubious metaphorical merit)
Hamilton: (things aint even being held)
Hamilton: (by chumps who cant be assed to show up)
Hamilton: (droppin shit on yo BEHALF)
Hamilton: (you name it)
Hamilton: (ima let it go)
Hamilton: (drop it like a frivolous lawsuit)
Hamilton: (oh snap)
Hamilton: (get out of my courtroom bitch)
Hamilton: (WASTE OF TAXPAYER MONEY YO)